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La Grande Bouffe

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Taking the Yellow Out of the Yellow People

By Adam Lippe

Having watched Yasujiro Ozu’s Good Morning on DVD, I may have to turn in my snob card, or maybe I should get a special dispensation. Is it because I watched this movie in particular? No. It’s a gentle comedy on the surface, and a pretty rough criticism of Japanese culture underneath. This is because of […]

Dreamcatcher

By Adam Lippe

Dreamcatcher is overlong and jumbled and it is so many different Stephen King novels smushed into one, from the 4 friends with telekinesis, to the childhood friends bonding over dead and/or in jeopardy, bodies, viruses that will take over the world, etc., etc. The first 40 minutes is not bad, but they never go in […]

Nothing But Trouble

By Adam Lippe

Everything about Nothing But Trouble is so elaborate, yet so pointless. The only laugh in the entire movie is when Dan Aykroyd put a gas nozzle on a tin of Hawaiian Punch. However, there is the enjoyable notion of a condiment train and that gaffe where Demi Moore’s [pre-surgery] tits fall out of the top […]

The Butterfly Effect

By Adam Lippe

Sometimes director’s cut DVDs are a waste of time and a simple marketing scheme. I watched the director’s cut of The Butterfly Effect and then watched the conclusion of the theatrical cut, and am mystified how anyone can even consider the latter’s ending to be valid. The director’s cut’s conclusion seems thematically correct, as it […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.