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Really, I’m fine with you watering it down: Part I: 127 Hours and Conviction

By Adam Lippe

If, according to screenwriter William Goldman (The Princess Bride, All the President’s Men), “In Hollywood, nobody knows anything,” then why is there always the need to taper off the intensity (read: effectiveness) of a movie in order to make it more palatable to a mainstream audience? Marketing is admittedly guesswork, and with the right evidence, […]

The Road

By Adam Lippe

During my interview with Shadow Billionaire director Alexis Spraic, she mentioned that she didn’t like the way that making documentaries had become a “competition about who can make the saddest film.” This line of thinking isn’t just limited to documentaries, indeed, many a fiction film falls into the trap of trying to bum out the […]

Zabriskie Point

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.