Tag Archive

Escape From the Bronx [aka Bronx Warriors 2]

By Adam Lippe

You always know who the villain of any movie is going to be once you see a scale model. This guy envisions some future with all sorts of newfangled property and technology and he’s obviously hired someone to build this tiny replica of what’s on his mind. Now I can see how an architect might […]

A podcast with Mark Jones, the director of Fraternity Massacre at Hell Island

By Adam Lippe

Below is a podcast I did with Mark Jones, the director of Fraternity Massacre at Hell Island, a very low-budget gay slasher parody. And since the movie was finished in 2005, did the festival circuit in 2007, and was finally released on DVD in April, it probably means that not only have none of you […]

Humpday Review and Podcast

By Adam Lippe

Below you’ll find a review of Lynn Shelton’s Humpday, which accompanies the interview I conducted with her about the movie that you can read here. On top of that there’s a new feature on A Regrettable Moment of Sincerity, podcasts. In this particular podcast, I interview famed 13 year-old critic Jordan Walters regarding his thoughts […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Recent Comments

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.