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The Brain

By Adam Lippe

In the history of fantastic bad ideas, none may seem as foolhardy as the fact that Ed Hunt, the director of the schlocky Canadian horror film The Brain, originally intended for the titular character, an alien from outer space encased in gelatinous goo who wants to use TV to brainwash the human race, the ability […]

Dellamorte Dellamore

By Adam Lippe

I first saw Dellamorte Dellamore in the theater in May of 1996 under the US title of Cemetery Man. I remember being very amused for the most part, it was a film that had a weird rhythm to it, an anything goes quality that certainly I didn’t see in most mainstream fare. At a certain […]

Beyond Re-Animator

By Adam Lippe

Very disappointing. The charm of the first two films is in the humor and the amusingly low budget effects that “interact” with the cast. There is one creature in the opening sequence of Beyond Re-Animator, a rather uninspired one at that, and nothing else for about 75 more minutes after having to suffer through a […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.