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Chilly Scenes of Winter

By Adam Lippe

Chilly Scenes of Winter is a daring romantic dramedy with John Heard as a guy obsessed with a woman he met at his boring job. He dates her for a while, but her marriage, to a man who she settled for, becomes a problem. Eventually she dumps him, but he can’t get her out of […]

The Exorcist III: Legion

By Adam Lippe

Given the choice, I would make Exorcist III a short film, dropping the second half. Why? Because the first 40 minutes or so, while we are learning about the Gemini killer, and while there is a lot of quick witted, rapid fire, screwball comedy style dialogue between Scott and the priest who likes It’s A […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.