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Tag Archive

Dragged, Kicking and Screaming to Answer Year-End/Best of 2011 Questions

By Adam Lippe

I am not a fan of year-end lists. They are entirely reductive and self-congratulatory. However the text below was triggered by another critic, Examiner.com’s Jason Roestel, who asked me to contribute to his year-end piece. So this is a version that fixes as many grammatical errors as I originally had, as well as some significant […]

The Other Guys

By Adam Lippe

Screaming non-sequiturs at the top of your lungs will only get you so far in life. If you’re Will Ferrell, it can get you a financially successful, but poorly made, one-note comedy like Stepbrothers. The fatal flaw of Step Brothers is that Ferrell and John C. Reilly spent their time bellowing profanity at each other […]

A Podcast Q&A with John C. Reilly, star of Magnolia, Chicago, Stepbrothers and the new film Cyrus

By Adam Lippe

Here’s a podcast q&a with the star of the Duplass brothers’ new film Cyrus, John C. Reilly. The interview was held after a Philadelphia screening of Cyrus. There’s nothing mindblowing about the questions, they cover the expected topics like working with Will Ferrell, Marisa Tomei, and the differences between playing comedy and playing drama. However, […]

Step Brothers

By Adam Lippe

Do you like 90 minutes of screaming? Do you not care about building laughs or story or anything besides watching two actors yell at each other in confused versions of profanity? Do you like being distracted by Mary Steenburgen disastrous facelift? Do you like characters that have no logical reason for existing, even more pathetic […]

Observe and Report

By Adam Lippe

Usually, when a director misreads his film and the audience reaction is the opposite of what is intended, it means he’s made a drama that’s ineffective enough that it has become comedy. In the case of the new Seth Rogen vehicle Observe and Report, writer/director Jody Hill has made what he thinks is a comedy […]

I Love You, Man

By Adam Lippe

Good news. The mediocre movie is getting a lot better. Raising the forgettable bar without any effort is the second Paul Rudd high/no concept comedy in the last few months, I Love You, Man. With the Role Models DVD release piggybacking the I Love You, Man TV spot and the 2008 copyright date on ILY,M, […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.