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Crank: High Voltage

By Adam Lippe

Is it possible to be consciously and intentionally out of control? If a Nascar driver were swerving and spinning for hundreds of laps and ended up winning the race, could he do the same thing again on purpose? Should you be given credit for a lucky accident? Donnie Darko might be the answer to those […]

The Last House on the Left (2009)

By Adam Lippe

In 2002, there was a fascinatingly stupid idea given the green light, attempting to create a star vehicle for Madonna. Directed by then-husband Guy Ritchie, Swept Away is as bad as you may have heard, but interesting for a few reasons such as the fact that the movie is so impatient and jittery that it […]

Forgotten Silver

By Adam Lippe

Forgotten Silver is an extraordinary and sadly unappreciated document that reveals the career of the great unheralded New Zealand filmmaker Colin McKenzie. Co-directors Costa Botes and Peter Jackson, of Lord of the Rings and Heavenly Creatures fame, give us as yet untold history in their discovery of McKenzie, the creator of the first feature length […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.