Tag Archive

I’m a Cyborg, but That’s OK

By Adam Lippe

Onion AV Club writer Nathan Rabin coined the term manic pixie dream girl to describe that irritating sprite of a character that’s always adorable, energetic, impulsive, and bound to bring a down-on-his-luck, brooding, scruffy, yet good-looking outsider back to the surface so he can discover how wonderful life can be. He was describing Kirsten Dunst’s […]

Ninja Assassin

By Adam Lippe

The big-budget version of an exploitation movie is fool’s gold. Sure, the filmmaker who could have used some more money to make his action sequences more convincing or get more than one take of any given shot is a worthy cause. But there’s scrappy charm in low-budget films and you forgive the mistakes as part […]

California Split

By Adam Lippe

Here’s the idea behind “A Canadian, an American, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, and Adam is a prick who hates everything. We all watch far too many movies, and spend our time analyzing them. So we each watch the same movie, write our […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

Recent Reviews


Veegie Awards
Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Recent Comments

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.