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Brüno

By Adam Lippe

The major reason that Freddy Got Fingered was such a failure had nothing to do with it being offensive or gross. If anything, the juxtaposition of Tom Green looking like a very plain, gee-whiz Canadian as he fellates a cow’s nipples is what makes him funny in the first place (especially on his original MTV […]

The Hangover

By Adam Lippe

There’s a famous scene in Doug Liman’s Swingers that is the key to understanding the entire career of The Hangover director Todd Phillips. As Jon Favreau and Vince Vaughn go on a midnight venture in Swingers, driving from Los Angeles to Las Vegas in an attempt to salve their wounds as failed actors and lotharios, […]

Harold and Kumar Escape From Guantanamo Bay

By Adam Lippe

How does one review a movie where, by the opening credits, one of the main characters has delighted himself by jizzing on his own face? “The best scene of its kind since Shortbus!” I guess the only important question is if it is funny.

Dumb and Dumberer

By Adam Lippe

Now that I have just forsaken 82 minutes by a viewing of Dumb and Dumberer, I can say that not only was I wrong about sequels, I want them to make more. Please have movies that while they begin promisingly (in the first shot, the camera is moving out of Mimi Rogers’ vagina while she […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.