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Angel

By Adam Lippe

The 1980’s was a decade that often had conflicting values, which were morally conservative, yet socially irresponsible. Nowhere was this better exemplified than with the way that the Grindhouse exploitation movies of the 70’s became unsubtly repressed in the 80’s, mixing beloved trash with fearful cautionary tales that punished pleasure.

The [Motor]Cycles of the Film Industry

By Adam Lippe

It is no secret that Hollywood loves to be environmentally conscious by recycling product. What starts out “pure” gets used and then thrown in the trash where it is crushed to make several different products. This purity in movie terms would be represented in an “original vision,” and something that could be easily replicated. Quality […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.