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Second Sight

By Adam Lippe

Much like the Pat Morita/Jay Leno vehicle, Collision Course, Second Sight has been an HBO staple for a very long time. Both heavily feature actors better suited for TV and neither has any aspirations to be anything less than reassuringly irritating. However, unlike virtually every second of Collision Course, Second Sight is never boring, despite […]

Garden State

By Adam Lippe

Garden State manages a high wire act for the first hour, where writer/director/star Zach Braff plays the straight man to all the odd things that are going on around him. At any moment it could have fallen apart and become one of those films where everyone in the small town is kooky and colorful and […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.