Tag Archive

The Men Who Stare At Goats

By Adam Lippe

No matter what you think of Saw as a film, it’s hard to deny that the guys who made it, James Wan and Leigh Whannell, are geniuses. Not that they’re all that talented, as a feature film Saw is derivative, badly acted, and needlessly convoluted. What differentiates Wan and Whannell from standard exploitation filmmakers (torture […]

A Serious Man

By Adam Lippe

Is it unfortunate that musical medleys are not appreciated? No, it isn’t, but that’s because it is rare that any artist does anything creative with the notion, instead relying on the droning familiarity and kitsch factor, pandering to the type of crowd that likes to hear songs that they know. That’s what nightclub entertainers tend […]

Northfork

By Adam Lippe

Stunningly shot. Every single image is astonishing. Think the black and white imagery of Seven (which may be in color, but clearly was intended to look like drained color), with a stronger emphasis on dark blue and grey. But much like the movie it is trying to evoke, Days of Heaven, the story is unfocused […]

Leatherheads

By Adam Lippe

George Clooney’s insistence on playing the strapping buffoon lead is both refreshing and tiresome. Leatherheads is clearly inspired by his roles in the Coen brothers’ Intolerable Cruelty and O’ Brother Where Art Thou?, where he mixed double-take style kitchen sink slapstick, with movie-star charm and Cary Grant-like smugness. This is an odd idea, considering these […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

Recent Reviews


Veegie Awards
Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Recent Comments

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.