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A podcast with Jordan Brady, the director of I Am Comic: Part II

By Adam Lippe

Here is part II with Jordan Brady, stand-up comic, and director of the new documentary on stand-up, I Am Comic. While this podcast was recorded at the same time as part I (which you can find here) and it’s not required to listen to it to understand part II. You’ll probably be confused though, so […]

A podcast with Jordan Brady, the director of I Am Comic: Part I

By Adam Lippe

Though this may seem like a normal podcast for A Regrettable Moment of Sincerity, it’s actually unique for a few reasons. First, because the interview with I Am Comic director and stand-up comedian Jordan Brady went on for more than 3 hours, I’ve split it into two parts (part II is here). Second, because I’m […]

Skatetown, U.S.A.

By Adam Lippe

Categorizing a movie as a time capsule reduces it to a simple evocation of a specific time and nothing else. William Friedkin’s To Live and Die in L.A. is drenched in 1985, a Wang Chung score, rampant androgyny, ridiculous car chases, cheerful amorality, and a cynical fetishism that seems modeled on Miami Vice, which debuted […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.