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Knight and Day

By Adam Lippe

He looks aghast at the poster for the party. I Sold My Mom’s Wheelchair. “Dance music for old people?” It’s the moment that John Cusack’s character in Stephen Frears’ High Fidelity realizes that this poster is being used to promote a band he just signed, and the party and album title will be one he’s […]

District 13: Ultimatum

By Adam Lippe

On Conan O’Brien’s final show before he was forced off The Tonight Show, he said that people should try to avoid being cynical about life, as that was his least favorite emotion. It’s a noble gesture and it’s a nice thought that one can go through life believing people and not looking for ulterior motives. […]

Garden State

By Adam Lippe

Garden State manages a high wire act for the first hour, where writer/director/star Zach Braff plays the straight man to all the odd things that are going on around him. At any moment it could have fallen apart and become one of those films where everyone in the small town is kooky and colorful and […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.