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Away We Go

By Adam Lippe

There’s an undiagnosed illness that most people don’t know about. But it can affect their personalities completely. Away We Go, Sam Mendes’ (American Beauty, Revolutionary Road) new comedy-drama about a couple (John Krasinski, Maya Rudolph) going through their first pregnancy and how they travel all across the country to try to find the best place […]

Sugar

By Adam Lippe

Authenticity is a funny thing, because while it should be about accurate renditions of true and real experiences, it is still entirely subjective. Judging a piece of art as being realistic and authentic should be something that only those who’ve lived the specific life being portrayed get to decide. Watching something like Maria, Full of […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.