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Knight and Day

By Adam Lippe

He looks aghast at the poster for the party. I Sold My Mom’s Wheelchair. “Dance music for old people?” It’s the moment that John Cusack’s character in Stephen Frears’ High Fidelity realizes that this poster is being used to promote a band he just signed, and the party and album title will be one he’s […]

Quit Ho Mo on the radio: A radio interview about going undercover as an ex-gay

By Adam Lippe

This is the radio interview I did with the editors of Outlook Weekly. The broadcast was about a two-part story I did for Outlook where I pretended be an ex-gay going through Christian reorientation therapy. The first part, which you can read here, appeared in Outlook Weekly in June of 2008, the second part, which […]

Quit Ho Mo: Undercover with the ex-gays: Part II

By Adam Lippe

This is the second installment in a two-part series on Christian reorientation therapy.  The first part, which you can read here, appeared in Outlook Weekly in June of 2008, the second part ran in September of 2008. There’s also a radio interview I did with the editors of Outlook, since the second, longer piece was […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.