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Edge of Darkness

By Adam Lippe

Did you know that in the censored-for-TV version of The Long Kiss Goodnight, the movie has been edited so much that it’s no longer clear that Geena Davis’ character is a government assassin with amnesia? In the way the film plays in the version that airs on Sunday mornings on TNT, the suggestion is that […]

Jennifer’s Body

By Adam Lippe

Do you ever wonder if actors take advice from characters in their films in real life? Like perhaps Bruce Willis deciding that after Die Hard he would no longer walk around barefoot for any reason, you know, just in case terrorists shot up his house and he had to run around and avoid all the […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.