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A podcast with Summer Qing [Qing Xu], co-star of Looper: Mandarin and English friendly version.

By Adam Lippe

Here is a podcast with actress Summer Qing (also known as Qing Xu), who plays the wife of Bruce Willis‘ character in Rian Johnson‘s twisty action sci-fi film Looper. Summer’s role is the main motivation for Willis’ entire journey through time. Summer was also in a few Chen Kaige films, like Farewell, My Concubine, and […]

Opening in theaters May 15th

By Adam Lippe

The best movie of last year, not released to US theaters, was Big Man Japan, a hilarious, moving, silly, deadpan, ridiculous mockumentary. Imagine if Christopher Guest made a movie about Godzilla, as if he were real, and you sort of get the idea, but it is a lot better than that description. Big Man Japan […]

Mediocrity Breeds Contempt: Film Festivals Part II

By Adam Lippe

As mentioned in part I of this series (which you can read here), there’s an eagerness for an audience to fall in love with some hidden gem at a film festival, especially a smaller one. This was hammered home with The Answer Man (also known as Arlen Faber), which got a featured spot in the […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.