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The Island Is the Loudest Anti-stem Cell Research Movie Ever

By Adam Lippe

Who knew director Michael Bay (Armageddon, Bad Boys II, Transformers) was interested in any political issue at all? Or maybe it was an accident that in The Island, he made the scientist trying to solve the world’s diseases, the villain? Perhaps it was a coincidence that the heroes, the clones of rich people condemned to […]

Beyond Re-Animator

By Adam Lippe

Very disappointing. The charm of the first two films is in the humor and the amusingly low budget effects that “interact” with the cast. There is one creature in the opening sequence of Beyond Re-Animator, a rather uninspired one at that, and nothing else for about 75 more minutes after having to suffer through a […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.