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Burn! – Uncut

By Adam Lippe

If we’re to believe the point of view of the Dr. Mengele doppelganger in the recent revenge-on-the-Nazis thriller The Debt, then the SS believed that the reason the Jews were the perfect victims was because they were not going to fight back. Not that they weren’t strong people, but that they believed in self-preservation. To […]

X-Men: First Class

By Adam Lippe

An actor who is in dire financial straits, whether because of divorce or other negligence, often results in some rather interesting choices with regards to which roles they accept. Ben Kingsley appeared as villains in both the big screen version of Thunderbirds and in Uwe Boll’s Bloodrayne and why Nicolas Cage has found himself pounding […]

You Made Horror Movies Boring, or Why You Are Wrong About The Blair Witch Project

By Adam Lippe

The Blair Witch Project is a perfect example of a movie that’s been blown up into a love it or hate it film, because of its enormous hype and box office. The same can be said for Forrest Gump, Gladiator, Monster’s Ball, Slumdog Millionaire, Titanic, Crash, etc. People think it’s cool to say how much […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.