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The Tree of Life

By Adam Lippe

Is there a significant difference between getting your money’s worth and getting too much? In terms of moviegoing, there’s two ways of dealing with that thought; Since you’ve paid, you have to get as much as you can out of the experience. Or, since you’ve paid, it’s your time and your money, and torturing yourself […]

I Come With the Rain

By Adam Lippe

It’s been said, by a much wiser man than I, that Charles Bronson looked like Mr. Potato Head. This was especially true in his later years in front of the camera, mailing it in while working with J. Lee Thompson and Michael Winner and Cannon Films in the 1980s on such sleazy and workmanlike films […]

The 18 1/2 Philadelphia Film Festival’s opening night film: Law Abiding Citizen

By Adam Lippe

As I said in my review of Year One, sometimes the way an actor or a director chooses to promote his new film on a talk show reveals all you need to know about the movie itself. Jamie Foxx, the star of F. Gary Gray’s new thriller Law Abiding Citizen, amidst the two segments (11 […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.