Tag Archive

The Rundown

By Adam Lippe

The Rundown has furious action sequences, at a pace not seen since Jackie Chan’s First Strike, is edited like a Robert Rodriguez movie, so you can’t see the seams, and Christopher Walken trying to explain The Tooth Fairy to people who don’t speak his language. The surrounding material is a mishmash of clichés, but The […]

Kill Bill vol. 1 and 2

By Adam Lippe

Kill Bill is like Cinematic Doo Doo. And I don’t mean that in necessarily a negative way. Writer/Director Quentin Tarantino is taking all of the movies he digested as a teenager and shitting them all over the audience. Whether you choose to be a coprophiliac is up to you. Sometimes I was hungry, other times […]

Transporter 2

By Adam Lippe

After watching Transporter 2, a movie so non-sensical and ridiculous, that you can’t help but laugh every few minutes as it piles up the absurdities, I couldn’t help but think about what a friend of mine once said about action movies. “80% of it has to be believable; they can have the other 20%. Anything […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

Recent Reviews


Veegie Awards
Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Recent Comments

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.