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The 5 minute feature film, volume 2: This World, Then the Fireworks

By Adam Lippe

Here is volume 2 of the 5 Minute Feature Film series, this time on Michael Oblowitz’s adaptation of Jim Thompson’s This World, Then the Fireworks. The 5 Minute Feature Film series is where I take a full length movie and cut it down to 5 minutes in length, re-score it, but tell basically the same […]

This World, Then the Fireworks

By Adam Lippe

When you watch a movie, is there always a giveaway about how intentional a level of incompetence is? What I mean is, at what point does the appearance of satire or parody drift off into the area of just plain old dreadful? Unless you were in the director’s brain while he was on set, there’s […]

Looking for Mr. Goodbar, with bonus musical slideshow

By Adam Lippe

It was then. That doesn’t make it right. But that doesn’t make it different either.” – Comedian Greg Proops on why racist behavior in old movies shouldn’t be excused, but it shouldn’t make them worthless either.   The above quote is a canny way to explain away dated material without condemning it for being what […]

White of the Eye (1987)

By Adam Lippe

[The following was written as an overview for the audience for a screening of Donald Cammell’s White of the Eye. It was not intended as an extended analysis, merely some background for a bound-to-be-confused theater of patrons.]   In the late 1980s, as Golan-Globus Productions began to overextend themselves, certain projects fell by the wayside. […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.