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Centurion

By Adam Lippe

With the constant threats on your life, being a soldier in a medieval army must have been the cause of an epidemic of acid reflux. If the movies are to be believed, you couldn’t have a mid-afternoon snack or take a power nap without the very real possibility of a foreign sword giving your throat […]

The Taking of Pelham 123 (2009)

By Adam Lippe

Over the past few years, director Tony Scott (Top Gun, True Romance, Enemy of the State) has been taking shots from the press over his recent fascination with film school tricks like flash frames, jump cuts, color filtering and his insistence on somehow cutting his films even faster than he used to. Whether this is […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.