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Capitalism: A Love Story

By Adam Lippe

There are occasions where only hearing a person talk will tell you enough to determine the expression on her face. The tone and volume will tell you everything, with no visual required. Current color commentator and former New York Knicks great Walt “Clyde” Frazier is a perfect example of this. Just listening to the radio, […]

Leave the Cults to the Scientologists

By Adam Lippe

“Attention Wal-mart shoppers: Pink Flamingos is on sale this week for just $9.99 and if you buy it today, courtesy of our promotions department, at check-out, you’ll receive a complimentary pooper scooper and bib.” In the late winter of 1995, at a low-rent theater on the lower east side of Manhattan, I snuck into a […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.