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The Boondock Saints II: All Saints Day

By Adam Lippe

Is there any inherent pressure for a director when following up a failure, especially when you’ve made a sequel distributed by a studio that’s known for constantly releasing such fare? In the past few years, Sony has been putting out belated DTV sequels to the most random, unsuccessful movies in their back catalog; such as […]

Antichrist

By Adam Lippe

Lars Von Trier has always had a canny way of indulging his critics by playing into their vision of him as a technically accomplished, but emotionally manipulative, misogynistic boor. Von Trier knows how to provoke the audience but it isn’t clear if he knows why he’s doing it (much like Vincent Gallo), other than to […]

A podcast with the creator and stars of The Boondock Saints II: All Saints Day, Troy Duffy, Sean Patrick Flannery, and Norman Reedus

By Adam Lippe

Here’s a nearly 30 minute interview I did with Troy Duffy, the director of The Boondock Saints and the upcoming The Boondock Saints II: All Saints Day (he was also the subject of the muckraking documentary Overnight). Also in attendance were Boondock stars Sean Patrick Flannery and Norman Reedus. Sean is very talkative, but Norman […]

Shrivel Me Timber; Erotic Thrillers Vol. 1: Traces of Red

By Adam Lippe

If the idea of seeing Jim Belushi as a sex symbol isn’t appealing to you, then I don’t know what to say. Clearly Traces of Red is too good for you. As I detailed in the [Motor]Cycles of the Film Industry article, Hollywood does things in cycles. When the 1980’s teen sexploitation market dried up […]

Once Upon a Time in Mexico

By Adam Lippe

“That, my friend, is cowardice. It’s so yellow. It’s not even yellow, it’s beyond yellow. It’s canary yellow… Rodeo clowns, on the other hand, those are real men. I had a buddy from Austin, he was a rodeo clown. He had one arm. We used to call him, uh… One arm.” – Johnny Depp, at […]

The Informers

By Adam Lippe

I’ve never had a pony. I’ve never seen one do tricks. And yet, I somehow know what a one-trick pony is. I think the pony’s name is Bret Easton Ellis. Ellis, a showoffy, limited writer, revels in the shallowness of early-to-mid 1980’s Los Angelinos, had been adapted for the screen three times previous to The […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.