Tag Archive
A radio interview with the person who wrote this sentence, on Gtown Radio: Part III
Here is the third in a series of no doubt 4 million appearances (or maybe less) that I made on Ed Feldman’s Morning Feed. Originally the interview ran at an epic length, 3 and 1/2 hours. Now, after some judicious editing, it runs at a mini-epic length of 2 hours, but you’ll still get plenty […]
Black Swan vs. Black Swan: Revisionist History Vol. 2, A Screener’s Revenge
As a critic, my job is to be as objective as possible while acknowledging my own subjectivity. But what rarely comes into play, at least consciously, is whatever mood I might be in on the way into the theater. I saw Black Swan at the opening night of the Philadelphia Film Festival on October 14th. […]
Youth in Revolt
Exploring the sexuality of teenagers is, for some fuzzy moralistic reason, a faux pas. We can acknowledge as a society that young boys and girls have sexual thoughts, and once they pass puberty, those thoughts dominate their lives, even if they don’t know how to deal with them. Teenage sexual desire is a universal feeling, […]
Shrivel Me Timber; Erotic Thrillers Vol. 1: Traces of Red
If the idea of seeing Jim Belushi as a sex symbol isn’t appealing to you, then I don’t know what to say. Clearly Traces of Red is too good for you. As I detailed in the [Motor]Cycles of the Film Industry article, Hollywood does things in cycles. When the 1980’s teen sexploitation market dried up […]
When Will I Be Loved
When Will I Be Loved, another James Toback venture into his dated version of the unseemly, has mostly gained notoriety for Neve Campbell’s nude scenes, which bookend the film, and have literally nothing to do with it. Toback’s legendary misogyny is often hidden behind the idea that strong women know how to assert their sexuality, […]
An Unfaithful Wife
It is rare that a flashy, sexed up American remake of a French film is so superior, but here is the prime example. What Adrian Lyne’s version, Unfaithful, has in character development, pathos, introspection, believability, and the ability to relate to the characters, Claude Chabrol’s version has none of. Chabrol refuses to lay the groundwork […]
Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)
Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom