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A radio interview with the person who wrote this sentence, on Gtown Radio: Part II

By Adam Lippe

Here’s my second radio appearance on Morning Feed with Ed Feldman. This time I was promoting the Medium Rare Cinema screening of the Richard Dreyfuss vehicle The Big Fix but the conversation once again jumps around a lot to movies being released around that time (June 2011) such as Submarine, Tree of Life, Super 8, […]

A podcast with Rolf De Heer, director of Bad Boy Bubby, The Tracker, and The Quiet Room

By Adam Lippe

Here’s a podcast with Australian director Rolf De Heer. It was originally recorded in August of 2008 and there was even an unedited and intro-free version on the site before. I’ve cleaned it up significantly, trimming 20 minutes and tightening it up to the point where it flows considerably better than it did before. Now […]

When They Shouldn’t Have Bothered

By Adam Lippe

The movie version of The Boys From Brazil, based on Ira Levin’s (Rosemary’s Baby, The Stepford Wives) novel is about Hitler’s doctor Joseph Mengele, trying, via an extremely complicated process, to bring about a second coming. While the story is very clever, and the plan was very detailed and intelligent, it was so convoluted and […]

A Decade Under the Influence and Easy Riders, Raging Bulls

By Adam Lippe

A Decade Under the Influence, like the movie of Easy Riders, Raging Bulls reveals nothing surprising, but is competently made. It does go on for an hour more (and broken up into three segments for airing on IFC, it comes in just under 3 hours total), so it’s a little strange that they actually had […]

Down and Out in Beverly Hills

By Adam Lippe

Flat and dated satire without any edge. Whatever is motivating Dreyfuss’ character is a mystery, and the children never get enough development to where you care. Scenes repeatedly end without establishing a purpose for themselves. Only Nolte eating dog food out of a bowl is funny and witty.

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.