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Off and Running

By Adam Lippe

It’s strange when a Twitter phenomenon like Shit My Dad Says, which was started by a guy in his late 20s writing down the filthy and irreverent things his 74 year-old dad says, garners a sitcom, especially on a network. It’s stranger still that that network is CBS, known for the most banal and safe […]

Redwoods

By Adam Lippe

There aren’t a lot of flaws in Doug Liman’s Swingers. The humor and insight into heterosexual insecurities and arbitrary rules is just as insightful nearly 15 years later, which is a credit to writer/star’s Jon Favreau’s script. But if there’s one distracting element, it’s a scene where Favreau blows a potential one night stand because […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.