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Predators

By Adam Lippe

After learning that I disliked his horror movie, a director at a film festival spent two days trying to confront me. I tried to be nice about it, complimenting the things I did enjoy such as the cinematography and how much he was able to get out of his obviously limited budget. He pestered me […]

Kill Bill vol. 1 and 2

By Adam Lippe

Kill Bill is like Cinematic Doo Doo. And I don’t mean that in necessarily a negative way. Writer/Director Quentin Tarantino is taking all of the movies he digested as a teenager and shitting them all over the audience. Whether you choose to be a coprophiliac is up to you. Sometimes I was hungry, other times […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.