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Sex and the City: The Movie

By Adam Lippe

I am not the audience for this movie. I know this. I’m straight and male, and I thought the TV show was hideously written, like a misogynistic and glib gay man’s fantasy of what fashionable women in NYC are like, unknowingly miserable, shallow, and stupid. Is it fair for me to judge the film, especially […]

Down and Out in Beverly Hills

By Adam Lippe

Flat and dated satire without any edge. Whatever is motivating Dreyfuss’ character is a mystery, and the children never get enough development to where you care. Scenes repeatedly end without establishing a purpose for themselves. Only Nolte eating dog food out of a bowl is funny and witty.

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.