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X-Men: First Class

By Adam Lippe

An actor who is in dire financial straits, whether because of divorce or other negligence, often results in some rather interesting choices with regards to which roles they accept. Ben Kingsley appeared as villains in both the big screen version of Thunderbirds and in Uwe Boll’s Bloodrayne and why Nicolas Cage has found himself pounding […]

Uwe Boll’s Heart of America

By Adam Lippe

Here’s the idea behind “A Canadian, an American,  and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, and Adam is a prick who hates everything. We all watch far too many movies, and spend our time analyzing them. So we each watch the same movie, write our […]

Leave the Cults to the Scientologists

By Adam Lippe

“Attention Wal-mart shoppers: Pink Flamingos is on sale this week for just $9.99 and if you buy it today, courtesy of our promotions department, at check-out, you’ll receive a complimentary pooper scooper and bib.” In the late winter of 1995, at a low-rent theater on the lower east side of Manhattan, I snuck into a […]

House of the Dead

By Adam Lippe

“You created these things to become immortal!!! Why?” “To live forever!!” “They were Spanish. From Spain.” It’s indicative of this dialogue that all of House of the Dead is pretty redundant. From the need to name the captain of a boat Kirk, so you can make jokes about it, to actually repeating the same song […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.