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Scre4m [sensibly known as Scream 4]

By Adam Lippe

Charlie Kaufman’s screenplay for Confessions of a Dangerous Mind — his adaptation of Chuck Barris’ book about his dual professions of hosting The Gong Show and being an assassin for the CIA — is a lot different from the movie that the director, George Clooney, put together. Apparently, Kaufman was upset by the fact that […]

A podcast with Sam Rockwell, Tony Goldwyn, and Betty Anne Waters on the film Conviction

By Adam Lippe

Here’s a podcast about the film Conviction with star Sam Rockwell, director Tony Goldwyn, and subject Betty Anne Waters. [You can read a review of the film here.] While this may seem like a normal roundtable podcast, it is not. This is because I recently got a complaint from another reporter that I was using […]

Moon

By Adam Lippe

A sterile home is just plain creepy. It suggests something unlived in, frozen in time, free from human connection. David Cronenberg (Dead Ringers, The Fly, Scanners) knows this, which is why he’s always setting sections of his movies in hospitals, the most antiseptic place possible. The body that had previously inhabited the room is gone. […]

The Gong Show Movie

By Adam Lippe

Several years before The King of Comedy flopped (which wasn’t acknowledged as ahead of its time until The Larry Sanders Show had already caused it to be dated), writer/director/star Chuck Barris and co-writer Robert Downey Sr. covered the same material by giving us an inside look at how often the host of a variety show […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.