Tag Archive

Dream Lover: Uncut

By Adam Lippe

Trends are rarely more than coincidences. Sure, there are always going to be imitators of success, such as Madonna making Body of Evidence to capitalize on the trend of the erotic thriller genre that goes back to Basic Instinct a year earlier (though the genre existed before, it just didn’t have a name). But realize […]

Shutter Island

By Adam Lippe

Timing is one of the most delicate and important attributes a person can have. Every little decision we make can be affected by timing; from simply crossing the street when we have the light to knowing that the best time to take a bathroom break isn’t when you’re in the middle of carrying a piano […]

Jennifer’s Body

By Adam Lippe

Do you ever wonder if actors take advice from characters in their films in real life? Like perhaps Bruce Willis deciding that after Die Hard he would no longer walk around barefoot for any reason, you know, just in case terrorists shot up his house and he had to run around and avoid all the […]

Happy Accidents

By Adam Lippe

Happy Accidents looks like a trendy romantic comedy. It had Vincent D’onofrio circa 1999 (though the movie wasn’t released until 2001), and it was made right after writer/director Brad Anderson’s excellent and ignored Next Stop, Wonderland.* It even has the K-Pax/Man Facing Southeast plot of a guy who may or not be insane and how […]

Mr. Wrong

By Adam Lippe

Of course it’s awful and nothing that happens is funny, except for the fact that Bill Pullman has his housekeeper’s Mexican 8 year old children order Ellen DeGeneres at gunpoint to marry him. Though it’s actually the idea that was amusing, not the execution. Here’s a thought though; While a movie, especially a PG-13 one, […]

Haute Tension

By Adam Lippe

Though this has been out overseas on DVD for a few months, this French slasher won’t get a US theatrical release until mid summer. Apparently Lions Gate has decided to go with an uncut NC-17 version (Note: it turned out they changed their minds) which is nice seeing as the blood and extreme gore is […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.