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He Never Meta Film Reference He Didn’t Like: A Review of Cop Out

By Adam Lippe

The late, great film critic Pauline Kael wrote that “an homage is a plagiarism that your lawyer tells you is not actionable.” Where do you draw that line though? When does gentle chiding and affection turn into parody? Certainly a film like last year’s Black Dynamite made that difficult to determine; because, while it tried […]

A Night of Too Many Nerds

By Adam Lippe

“No person is too ugly to have sex with… The next time you see an ugly person, I want you to put your hand on their shoulder and say, ‘Dammit, let’s have sex.’” – Eddie Murphy on Saturday Night Live A smart lady once wrote, “Nerds are just cool people with bad PR.” Being a […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.