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Cool Blue

By Adam Lippe

It used to take a lot of effort for a star vehicle to go straight to video, especially during the late 1980’s, at the height of VHS’s popularity. Cool Blue probably seemed like an ideal low-budget project for Woody Harrelson, where he could stretch by playing the struggling artist, but also cater to his fans […]

Wisdom

By Adam Lippe

When Emilio Estevez turned 24 years old, directly after the success of St. Elmo’s Fire, The Breakfast Club, Repo Man, The Outsiders and writing the screenplay for the S.E. Hinton adaptation That Was Then… This Is Now, he convinced Fox to let him write, direct, and star in his own film, under the aegis of […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.