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A Bittersweet Life

By Adam Lippe

Back in the mid-1990s, when gay cinema was just coming out of the closet and into the mainstream, there was a charming, formulaic lesbian comedy called The Incredibly True Adventures of 2 Girls in Love. There’s nothing particular special about the film and I can’t face watching it again, since there’s no doubt, with its […]

Straightlaced: How Gender’s Got Us All Tied Up

By Adam Lippe

Miracles can happen. I have seen proof. An interesting and insightful documentary was made by someone who directs with complete condescension and an overabundance of obnoxious video effects. Consider the evidence: A filmmaker who treats sexually confused teenagers like Bill Cosby talks to five-year-olds on Kids Say the Darndest Things. Cutesy music and graphics that […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.