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Clash of the Titans (2010)

By Adam Lippe

It’s not a secret that the goal of reputable porn filmmakers has been to make a movie that is both erotic and dramatically riveting. Since the early 70s, the heyday of well made pornography (which includes such titles as The Opening of Misty Beethoven and The Devil in Miss Jones), there have been a few […]

Knowing How To Punish Your Audience

By Adam Lippe

In 1991, a masterpiece of excess was unleashed around the world. Initially, it was a cult item, its greatest claim to fame was that a clip from the film, Riki-Oh: The Story of Ricky, was featured as the introduction to the Five Questions segment on The Daily Show, back when Craig Kilborn was hosting. The […]

L’Enfer

By Adam Lippe

L’Enfer threatens to have a more interesting backstory than the film itself. Originally written by director Henri-Georges Clouzot (Diabolique) in 1964, Clouzot made several attempts to make the film, but always had problems with the structure, and needlessly elaborate fantasy sequences. Thirty years later, Clouzot’s widow sold the script to a producer, who offered it […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.