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Dragged, Kicking and Screaming to Answer Year-End/Best of 2011 Questions

By Adam Lippe

I am not a fan of year-end lists. They are entirely reductive and self-congratulatory. However the text below was triggered by another critic, Examiner.com’s Jason Roestel, who asked me to contribute to his year-end piece. So this is a version that fixes as many grammatical errors as I originally had, as well as some significant […]

MacGruber

By Adam Lippe

Those of us lucky enough to have seen Exhausted*, the 1981 John Holmes sycophant-umentary, may remember something the now world-weary director Julia St. Vincent, said on the DVD commentary. She described Holmes’ pursed lip expression during his moment of climax as one of his “monkey faces.” Now as the title character in MacGruber, the adaptation […]

A Podcast about Mike Judge’s Extract, with my special guest Soylent Green

By Adam Lippe

Below is a podcast I conducted with Soylent Green about his reaction to Mike Judge’s Extract. You can read my review of the film here. Click the play icon to listen to the podcast. Or you can download the podcast here. (Right-click, Save Link As…)

Extract

By Adam Lippe

In general, people are not all that ambitious. In general, life is filled with dull moments, surrounded by the occasional heart attack and/or sexual conquest. Dogs understand the comfort of this concept, which is why they seek constant routine in their lives and become uneasy if there’s even the slightest change in their daily habits. […]

Adventureland

By Adam Lippe

Selling nostalgia is a tricky thing. While you already have the advantage of being able to tap into people’s hazy memories and playing off their vague recognition and familiarity, you risk relying on such a lazy device to the point where you become guilty of The Wedding Singer syndrome, wherein the entire purpose was to […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.