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Eye of the Beholder (1999)

By Adam Lippe

Comedian David Cross does a bit on his It’s Not Funny album about how common it is to see a gay couple who look exactly like one another, “same balding pattern, bushy mustache, reverse pear-shaped body.” He goes into more detail exploring how that must be sort of like masturbation, where you can either take […]

Shrivel Me Timber; Erotic Thrillers Vol. 1: Traces of Red

By Adam Lippe

If the idea of seeing Jim Belushi as a sex symbol isn’t appealing to you, then I don’t know what to say. Clearly Traces of Red is too good for you. As I detailed in the [Motor]Cycles of the Film Industry article, Hollywood does things in cycles. When the 1980’s teen sexploitation market dried up […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.