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An interview with Patricia Neal, RIP.

By Adam Lippe

This interview originally appeared in Outlook, a newspaper in Columbus, Ohio, in April of 2008. Ms. Neal died yesterday of cancer. Husky-voiced actress Patricia Neal was born in Packard, Kentucky in 1926 and began her career in New York theater in 1946. She won the first Tony Award for best actress for her performance in […]

At Long Last Love

By Adam Lippe

Here’s the idea behind “A Canadian, an American, and an Elitist”: Rhett’s favorite movie is Meatballs 4, Shawn has an unhealthy fixation on Resident Evil, and Adam is a prick who hates everything. We all watch far too many movies, and spend our time analyzing them. So we each watch the same movie, write our […]

Dirty Harry vs. The French Connection: The Fascist Cop Movies of 1971

By Adam Lippe

The late 1960’s were a troubled time for the major studios of Hollywood. Expensive musicals like Hello Dolly had failed as had pricey westerns like Paint Your Wagon. The success of Easy Rider was considered a breakthrough and set up the director-centric 1970’s spawning one crafty film nerd filmmaker after another, such as Francis Ford […]

A Decade Under the Influence and Easy Riders, Raging Bulls

By Adam Lippe

A Decade Under the Influence, like the movie of Easy Riders, Raging Bulls reveals nothing surprising, but is competently made. It does go on for an hour more (and broken up into three segments for airing on IFC, it comes in just under 3 hours total), so it’s a little strange that they actually had […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.