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Tag Archive

A podcast with Joe Winston, the director of What’s the Matter With Kansas?

By Adam Lippe

Here’s an audio interview with Joe Winston who directed, along with his wife Laura Cohen, the documentary adaptation of Thomas Frank’s best-selling book, What’s the Matter With Kansas? Though you might think that this will be a discussion between two commie liberals bashing on heartland folk, that assumption would only be half right, because there’s […]

Beeswax

By Adam Lippe

In Danny Boyle’s Trainspotting, his adaptation of Irvine Welsh’s notoriously impenetrable novel, there’s a scene where Johnny Lee Miller’s character, Sick Boy, is heartbroken over the death of his child. All of the other heroin addicts in the room are stunned, staring at the dead baby. Sick Boy screams at Ewan McGregor’s character, Mark Renton, […]

Zabriskie Point

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is Meatballs 4,  Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Dirty Harry vs. The French Connection: The Fascist Cop Movies of 1971

By Adam Lippe

The late 1960’s were a troubled time for the major studios of Hollywood. Expensive musicals like Hello Dolly had failed as had pricey westerns like Paint Your Wagon. The success of Easy Rider was considered a breakthrough and set up the director-centric 1970’s spawning one crafty film nerd filmmaker after another, such as Francis Ford […]

Equality U

By Adam Lippe

Most recent documentaries have one major obstacle that prevents them from widespread exposure, and that’s that they are intended to enlighten and/or change the minds of those people who would never watch a documentary in the first place. Political documentaries are the worst offenders because most of them are made by those on the left, […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.