Tag Archive

Clash of the Titans (2010)

By Adam Lippe

It’s not a secret that the goal of reputable porn filmmakers has been to make a movie that is both erotic and dramatically riveting. Since the early 70s, the heyday of well made pornography (which includes such titles as The Opening of Misty Beethoven and The Devil in Miss Jones), there have been a few […]

The Baby of Macon

By Adam Lippe

Peter Greenaway’s films are more divisive than virtually every other filmmaker working today. He has stated publicly that he is no longer interested in traditional ways of filmmaking, developing characters, telling a straightforward story, etc. Even the best experience I had with a Greenaway film, the sumptuous The Pillow Book, I left a screening with […]

2008 In Review

By Adam Lippe

A great premise can be tantalizing to a studio. A corporation only thinks about a way to sell its product, it is uninterested in its level of mediocrity, so a solitary, exciting idea sounds great in a 30 second ad. A writer knows better, realizing that the initial premise is only the starting point, you […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.