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A Podcast with Roger Nygard, the Director of Trekkies, Suckers, and his new documentary The Nature of Existence

By Adam Lippe

Here’s a podcast with Roger Nygard, the director of Trekkies, Trekkies 2, High Strung (w/Steve Odekerk and Jim Carrey), Back to Back: American Yakuza 2, Suckers, and his new documentary The Nature of Existence. This hour long podcast covers such topics as how to sell your movie in Japan by adding a vs. to the […]

Big Fan

By Adam Lippe

If Taxi Driver is considered the last movie word on how loners slowly lose their grip on reality and devolve into misguided violent martyrdom, where do those without the gaul or stones to engage in violent activism fit in? Surely, there’s more of the type too timid or scared to act on their fantasies, otherwise […]

A Night in Heaven

By Adam Lippe

It is easy to argue that A Night in Heaven is a sort of misbegotten botch job, taken away by the studio when the film was neither the serious drama nor the exploitation film that Joan Tewkesbury ‘s (Nashville) script may have suggested. But I have to disagree. Sure, the telltale signs are there; unresolved […]

Buffalo ’66

By Adam Lippe

Vincent Gallo dared to put a truly irritating character in the center of the film, unsympathetic in so many ways, mix it with deadpan humor and surrealism (such as the beautiful Ricci dance at the bowling alley), deliberately over the top acting such as Ben Gazarra and Angelica Huston as his parents, shot the film […]

Lost in Translation

By Adam Lippe

“I have to leave, but I don’t want to.” “Then stay here… With me. We’ll start a jazz band.” While I was watching Lost in Translation, I was often restless and fidgety, but not in an impatient way. I had the feeling that I had during certain parts of Noah Baumbach’s Kicking and Screaming where […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.