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Crying Freeman

By Adam Lippe

The fact that Brotherhood of the Wolf was such a huge success overseas and has an enormous cult following in the US (and did receive a surprisingly large push from Universal for a foreign film) has renewed interest in Christophe Gans’ first film, the adaptation of the anime/comic book of Crying Freeman. The film never […]

House of the Dead

By Adam Lippe

“You created these things to become immortal!!! Why?” “To live forever!!” “They were Spanish. From Spain.” It’s indicative of this dialogue that all of House of the Dead is pretty redundant. From the need to name the captain of a boat Kirk, so you can make jokes about it, to actually repeating the same song […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.