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A radio interview with the person who wrote this sentence, Part IV: Comfort and Joy and Dream Lover

By Adam Lippe

Here is a podcast/radio interview from my appearance on Morning Feed with Ed Feldman from October of 2011, when I was promoting the Medium Rare Cinema screenings of Dream Lover and Comfort and Joy. Like my other appearances on Morning Feed, the topics are wide ranging starting with Harry Dean Stanton and Death Watch and concluding 2 […]

Life During Wartime

By Adam Lippe

If imitation is the sincerest form of flattery, and you imitate yourself, does that mean you’re flattering yourself too? Catherine Breillat, a director often accused of taking herself too seriously while trying to punish the audience, tried to pull off this self-flattery thing with her 2002 film Sex is Comedy, which mocked her infamous 2001 […]

Palindromes

By Adam Lippe

Maybe it would have helped had I seen the movie with a suck up audience, the kind of Sundancy viewer that writer-director Todd Solondz pretends to mock but clearly desires their recognition. In fact all 8 of the people in attendance at the screening were silent the entire 100 minutes, except for myself, when the […]

Napoleon Dynamite and its ilk

By Adam Lippe

Few movies make me actually angry for people falling for the condescending crap being thrown at them, but Napoleon Dynamite manages it. It’s not just that there’s no point to the film. It’s just so self conscious and so deliberate in its attempts to be “weird” and retro. Traits are established for the characters and […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.