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A Podcast Q+A with Kelly McGillis, much awkwardness and bizarre fawning to follow

By Adam Lippe

Here is a podcast q+a with Kelly McGillis (Witness, Top Gun), recorded during Philadelphia’s QFest (Queerfest), as Ms. McGillis was being given the artistic achievement award. Normally, this isn’t the sort of q+a I’d upload, but the whole thing was so strange, I figured I should share. To give some context, Ms. McGillis was considered […]

Away We Go

By Adam Lippe

There’s an undiagnosed illness that most people don’t know about. But it can affect their personalities completely. Away We Go, Sam Mendes’ (American Beauty, Revolutionary Road) new comedy-drama about a couple (John Krasinski, Maya Rudolph) going through their first pregnancy and how they travel all across the country to try to find the best place […]

Open House

By Adam Lippe

There’s a famous poem by Robert Frost that says, and I paraphrase, “two roads diverged, both selling out in their own way, one to Hollywood, and one to direct-to-video erotic thrillers.” Frost wrote this poem after watching Open House, a low-budget slasher movie taking place amongst real estate agents, written by David Mickey Evans, who […]

2008 In Review

By Adam Lippe

A great premise can be tantalizing to a studio. A corporation only thinks about a way to sell its product, it is uninterested in its level of mediocrity, so a solitary, exciting idea sounds great in a 30 second ad. A writer knows better, realizing that the initial premise is only the starting point, you […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.