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The Challenge

By Adam Lippe

It’s not that hard to imagine a young Steven Seagal, pre-ponytail, chins, and widow’s peak, thinking of himself as the most important crew member on the set of John Frankenheimer’s The Challenge. Hired to do the Akido stuntwork, Seagal could easily see himself as Scott Glenn’s lead character, the towering white American respectfully learning all […]

The Treasure of the Sierra Madre

By Adam Lippe

Sometimes you see movies long after their influence has been felt and each scene has been ripped off to the point that everything in it has become a cliché. The Treasure of Sierra Madre appears to be constantly going in an interesting direction especially during its darker passages, but never quite commits. Is it that […]

Lost in Translation

By Adam Lippe

“I have to leave, but I don’t want to.” “Then stay here… With me. We’ll start a jazz band.” While I was watching Lost in Translation, I was often restless and fidgety, but not in an impatient way. I had the feeling that I had during certain parts of Noah Baumbach’s Kicking and Screaming where […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.