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I Come With the Rain

By Adam Lippe

It’s been said, by a much wiser man than I, that Charles Bronson looked like Mr. Potato Head. This was especially true in his later years in front of the camera, mailing it in while working with J. Lee Thompson and Michael Winner and Cannon Films in the 1980s on such sleazy and workmanlike films […]

A very long interview with Outrage director Kirby Dick. It’s long. Take a lunch break so you can finish it.

By Adam Lippe

Along with allowing us to see his documentary Outrage, about outing closeted gay politicians who vote against their own interests (I’ve reviewed the movie here), director Kirby Dick was kind enough to go on a press tour. There were 4 reporters in the room, 3 if you don’t count me. Since I was not able […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.