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District 9 Review and Podcast

By Adam Lippe

Below you’ll find a review of Neill Bloomkamp’s Action-Sci-fi hybrid, District 9. I’m also including a podcast about the film which I conducted with the official mascot for Hamburger Helper, Helping Hand. Click the play icon to listen to the podcast. Or you can download the podcast here. (Right-click, Save Link As…) The downside of […]

Public Enemies

By Adam Lippe

It’s quite the bold move to deliberately make your movie an eyesore. This is especially true when you’re someone like Michael Mann (Heat, Manhunter, Collateral), who is known specifically for his unique visuals. His new film, Public Enemies, is shot on video, and not in the same way that a lot of new movies are […]

The Taking of Pelham 123 (2009)

By Adam Lippe

Over the past few years, director Tony Scott (Top Gun, True Romance, Enemy of the State) has been taking shots from the press over his recent fascination with film school tricks like flash frames, jump cuts, color filtering and his insistence on somehow cutting his films even faster than he used to. Whether this is […]

The White Man’s Here. Who Needs Some Assimilation?

By Adam Lippe

When Gran Torino comes out on DVD in June, you all owe it to yourselves to see it (if you haven’t already). Not because it’s a great movie, but rather because it’s made from a perspective so antiquated that it’s no surprise that it was Clint Eastwood’s biggest hit in years. Granted, Clint is old […]

Does your opinion matter? And since it doesn’t, will you like Hancock?

By Adam Lippe

As I’ve suggested in many of my reviews, Hollywood believes that the most important result from a film is a product – not necessarily entertainment, let alone art. Demonstrating this concept, a couple of recent films that were stripped down and spare to the point of absurdity, sometimes to their benefit, were The Incredible Hulk […]

To Live and Die in LA

By Adam Lippe

Here’s the idea behind “An American, a Canadian, and an Elitist”: Rhett’s favorite movie is “Meatballs 4”, Josh likes Hollywood pap, and Adam is a prick who hates everything. We all watch far too many movies, and spend our time analyzing them. So we each watch the same movie, write our analysis of them, and […]

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Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.